YouTube LinkedIn

Fully-funded PhD opportunity – Evaluating Cities of Culture



University of Leeds central campus on Light Night

Earlier this year we announced that we are working with LEEDS 2023 as their research partner in collaboration with The Audience Agency. Together we’ll explore how the year-long cultural programme impacts the varied and diverse communities of the city. As part of this collaboration we’ll be hosting a fully-funded PhD starting in September 2022.

Through an in-depth case study of LEEDS 2023, the city’s dedicated year of culture, this doctoral research project will explore the policy, management and methodological issues involved in capturing the value and impact of a city of culture programme.

We are looking to host and supervise a PhD that critically investigates the following research questions:

  • What are the opportunities and challenges of using mixed-methods research to capture the value and impact of a city of culture programme?
  • What are the practical and ethical considerations of not only capturing a diverse range of participant and audience voices but ensuring differences of opinion are heard?
  • Who are the key stakeholders and audiences for evaluations of cities of culture and what are the implications of this for developing a suitable evaluation framework?
  • What roles should reflective practice and the acknowledgement of failure play in evaluating cultural events?
  • What are the mechanisms by which evaluation can contribute to learning that leads to change?

This project will be jointly supervised by Professor Ben Walmsley (Director of Centre for Cultural Value) and Dr Leila Jancovich (Director of Research and Innovation in the School of Performance and Cultural Industries). The successful candidate will be integrated into the Centre for Cultural Value as part of its research and evaluation of LEEDS 2023, led by The Audience Agency.

Applications are open until Monday 6 June. More information and how to apply.

Related news

A light installation, with a purple glow, in a market place. Triangular sails create a canopy between the empty stalls. A older person, walking across the marketplace is pictured under the sails.
Walk This Way. Photo by Rob Eagle.
News

“What’s the point of it?” Art, community, and the challenges of cultural value

In a northern market town, a light and sound installation simultaneously sparks a wealth of community interactions and highlights the ...
A theatre performance. A large puppet of a bird with bright colour feathers is next to a performer wearing a green jumper and looking through binoculars.
Mafwa Theatre. Michka and Me. Photo by Tribe Four FIlms.
News

What happens next? Taking time to reflect, learn and move forward

As the Centre’s initial five-year funding period ends, we share our plans to take a deliberate and strategic pause to ...
A busy street in Florence, Italy. Crowds of tourists are on the street.
Photo by Maxime Steckle.
News

Mass tourism, heritage, music, and debt: the curious case of opera and urban planning in Florence

How can we successfully acknowledge the challenges of protecting cultural heritage while also balancing the economic realities of a flourishing ...
Four people sat on chairs at a symposium event. They are all listening intently.
Routing Diaspora Histories. Photo by Mya Onwugbonu.
News

Routing Diaspora Histories: Going Beyond Established Historical Narratives

In what new ways can we look at Black and diasporic identities within creative practice? Does history have to be ...
Three people holding hands dancing together facing the camera. Two are wearing traditional dress from their culture. They are in a museum space with other people dancing in the background.
Yours, Mine and Ours Welcome Day. Photo credit: Irish Linen Centre and Lisburn Museum.
News

Yours, Mine and Ours: capturing the voices of migrant communities

How can local museums work collaboratively with migrant communities to develop a deeper sense of cultural inclusion and belonging? In ...
The company of Granny Jackson's Dead. All seven cast member sit together cramped on and around a sofa in a darkly lit living room. Behind them is a dresser with framed photos and a lamp.
Granny Jackson's Dead. Big Telly Theatre Company. Photo by Neil Harrison.
News

Granny Jackson’s Dead: exploring grief, memory, commemoration and technology

How can we use immersive theatre to look afresh at 'arts-led dialogue' and understand the ethical and social implications of ...






Keep in touch,

Sign up to our newsletter