YouTube LinkedIn

Morvern Cunningham



A person pictured outdoors against a metal structure, smiling while wearing a chequered jacket.

Morvern Cunningham (she/they) is a freelance creative, currently Creative Lead at Culture Collective – a Scottish Government funded network of 26 participatory arts projects across Scotland, shaped by local communities alongside artists and creative organisations. They also co-facilitate the Creative Community Hubs Network project based in Edinburgh with their Whale Arts colleague Tiki Muir.

During the pandemic, Morvern authored two pamphlets:“You’ll Have Had Your City?” and Edinburgh Reimagined, which focus on a better future for the cultural sector in Edinburgh. Morvern’s third pamphlet, Back To The Future: Why we need to go back to future thinking post-pandemic has just been published by Out of the Blueprint. Following on from this, in 2021 Morvern co-devised hybrid participatory reimagination event Future Culture Edinburgh with Creative Informatics colleague Vikki Jones. In addition, Morvern is a FailSpace champion, promoting the toolkit developed by the AHRC-funded research project exploring how the cultural sector can better recognise, acknowledge and learn from failure.

Related news

A busy street in Florence, Italy. Crowds of tourists are on the street.
Photo by Maxime Steckle.
News

Mass tourism, heritage, music, and debt: the curious case of opera and urban planning in Florence

How can we successfully acknowledge the challenges of protecting cultural heritage while also balancing the economic realities of a flourishing ...
Four people sat on chairs at a symposium event. They are all listening intently.
Routing Diaspora Histories. Photo by Mya Onwugbonu.
News

Routing Diaspora Histories: Going Beyond Established Historical Narratives

In what new ways can we look at Black and diasporic identities within creative practice? Does history have to be ...
Three people holding hands dancing together facing the camera. Two are wearing traditional dress from their culture. They are in a museum space with other people dancing in the background.
Yours, Mine and Ours Welcome Day. Photo credit: Irish Linen Centre and Lisburn Museum.
News

Yours, Mine and Ours: capturing the voices of migrant communities

How can local museums work collaboratively with migrant communities to develop a deeper sense of cultural inclusion and belonging? In ...
The company of Granny Jackson's Dead. All seven cast member sit together cramped on and around a sofa in a darkly lit living room. Behind them is a dresser with framed photos and a lamp.
Granny Jackson's Dead. Big Telly Theatre Company. Photo by Neil Harrison.
News

Granny Jackson’s Dead: exploring grief, memory, commemoration and technology

How can we use immersive theatre to look afresh at 'arts-led dialogue' and understand the ethical and social implications of ...
Two children (with their backs to camera) working together on a laptop at an animation workshop. An adult leans over the table and is talking with them looking at the laptop,
Press Play Films animation workshop. Photo by Lara Leslie.
News

Moving Minds: designing effective, engaging extra-curricular activities for autistic and neurotypical children

How can extra-curricular activity providers become more inclusive with their offer for children? An animator and neuroscientist explore factors hindering ...
Three people sat together looking at an exhibit case in a museum. They are talking together and one holds a notepad and pen
Treasures of Brotherton Gallery. University of Leeds. Photo by Mark Webster.
News

Findings from Culture Commons: The future of cultural devolution in the UK

New research into how the ‘devolution revolution’ and increased local decision-making can affect the creative, cultural and heritage ecosystem has ...






Keep in touch,

Sign up to our newsletter