YouTube LinkedIn

Sarah Boiling



A person pictured in sepia tone colours. They are standing in front of a hedge and wearing a beige jacket.

Sarah is a freelance consultant focused on bringing culture closer to people though research, evaluation, facilitation, and supporting organisational change. She works across the culture, community and heritage sectors with clients including the Children’s Charity Coram, Riverside Studios, Arts Council England’s CPP programme, Tate, and the Film Audience Network.

Sarah is currently leading the evaluation team for Creative Civic Change  an experimental funding programme supporting 15 communities across England to shape, lead and commission arts and creative interventions, making positive social change where they live.

For more information on Sarah’s work, please visit her website.

Sarah will be contributing to Workshop 3.

Related news

A light installation, with a purple glow, in a market place. Triangular sails create a canopy between the empty stalls. A older person, walking across the marketplace is pictured under the sails.
Walk This Way. Photo by Rob Eagle.
News

“What’s the point of it?” Art, community, and the challenges of cultural value

In a northern market town, a light and sound installation simultaneously sparks a wealth of community interactions and highlights the ...
A theatre performance. A large puppet of a bird with bright colour feathers is next to a performer wearing a green jumper and looking through binoculars.
Mafwa Theatre. Michka and Me. Photo by Tribe Four FIlms.
News

What happens next? Taking time to reflect, learn and move forward

As the Centre’s initial five-year funding period ends, we share our plans to take a deliberate and strategic pause to ...
A busy street in Florence, Italy. Crowds of tourists are on the street.
Photo by Maxime Steckle.
News

Mass tourism, heritage, music, and debt: the curious case of opera and urban planning in Florence

How can we successfully acknowledge the challenges of protecting cultural heritage while also balancing the economic realities of a flourishing ...
Four people sat on chairs at a symposium event. They are all listening intently.
Routing Diaspora Histories. Photo by Mya Onwugbonu.
News

Routing Diaspora Histories: Going Beyond Established Historical Narratives

In what new ways can we look at Black and diasporic identities within creative practice? Does history have to be ...
Three people holding hands dancing together facing the camera. Two are wearing traditional dress from their culture. They are in a museum space with other people dancing in the background.
Yours, Mine and Ours Welcome Day. Photo credit: Irish Linen Centre and Lisburn Museum.
News

Yours, Mine and Ours: capturing the voices of migrant communities

How can local museums work collaboratively with migrant communities to develop a deeper sense of cultural inclusion and belonging? In ...
The company of Granny Jackson's Dead. All seven cast member sit together cramped on and around a sofa in a darkly lit living room. Behind them is a dresser with framed photos and a lamp.
Granny Jackson's Dead. Big Telly Theatre Company. Photo by Neil Harrison.
News

Granny Jackson’s Dead: exploring grief, memory, commemoration and technology

How can we use immersive theatre to look afresh at 'arts-led dialogue' and understand the ethical and social implications of ...






Keep in touch,

Sign up to our newsletter