Peter Sproul
Peter is 26 and enjoys being in bands called The Touch Beats and Sensatronic Lab.
During lockdown, Peter wasn’t able to see any of his friends. But since taking part in the National Theatre of Scotland’s Non Optimum: When It Is Safe To Do So project, he has enjoyed being part of the Friday zoom meetings – dancing and chatting and filming at his house. He really has enjoyed being part of this project and hopes everyone enjoyed the film.
Related news
La Fenice Theatre, Venice. Photo by Alice Borchi.
News
Beyond the bailout: What Italian opera houses reveal about cultural policy
When it comes to Italian opera, how can a cultural artform so deeply embedded in national identity require such regular ...
Cultural Vitality Labs with Norwich Creative City Compact. Photo by Andi Sapey.
News
Creative methods, cultural vitality and relational consultation practice
Holly Sandiford is a facilitator, evaluator and socially engaged artist. Working with Norwich Creative City Compact, she has been facilitating ...
Cultural Vitality Labs with Norwich Creative City Compact. Photo by Andi Sapey.
News
Start from place, not planning. Grounding policy in cultural vitality.
In this reflective piece, Lia Ghilardi draws on her experience as a cultural planner to argue for a place-based and ...
Barnsley Bright Nights. The Dancing Fountain by Alexis Richter. Photo by James Mulkeen.
News
New report: Transforming the Cultural and Heritage Sector’s Data Infrastructure
New collaborative research sets out a blueprint for a National Cultural Data Observatory (NCDO) to transform how the sector understands ...
Mafwa Theatre. Flourish. Photo by Tribe Four Films.
News
Cultural Vitality Labs: Placing participatory research and co-production at the heart of cultural evidence
The Centre for Cultural Value launches Cultural Vitality Labs, a new participatory research programme working with three partners to explore ...
MishMash Productions: Smile. Photo by Pamela Wraith Photography.
News
Building the next chapter
This article was originally published by Arts Professional, January 2026. Stephen Dobson and Liz Harrop share more about the Centre's ...