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Abigail Gilmore



Abi is a Senior Lecturer, Arts Management & Cultural Policy at the Institute for Cultural Practices, University of Manchester. Her research is on culture policy, participation and place and she is a Co-Investigator with the Creative Industries Policy and Evidence Centre, leading the cultural ecosystem strand for the ‘Impacts of Covid-19 on the cultural sector project.

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The company of Granny Jackson's Dead. All seven cast member sit together cramped on and around a sofa in a darkly lit living room. Behind them is a dresser with framed photos and a lamp.
Granny Jackson's Dead. Big Telly Theatre Company. Photo by Neil Harrison.
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Granny Jackson’s Dead: exploring grief, memory, commemoration and technology

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Two children (with their backs to camera) working together on a laptop at an animation workshop. An adult leans over the table and is talking with them looking at the laptop,
Press Play Films animation workshop. Photo by Lara Leslie.
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Moving Minds: designing effective, engaging extra-curricular activities for autistic and neurotypical children

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Treasures of Brotherton Gallery. University of Leeds. Photo by Mark Webster.
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Findings from Culture Commons: The future of cultural devolution in the UK

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A group of young people sat together at a table outside. They are using bright coloured paint and cardboard to create signs.
Photo by Roswitha Chesher
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Creative Voices, Activist Voices: exploring the radical potential of cultural participation

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Three performers sat on a large, green circular rug throwing balls in the air. An audience, with babies sit on cushions around the rug
English Touring Opera. Photo by Julian Guidera.
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Reflecting upon the Centre’s first five years

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A music gig with pink confetti falling on crowd.
 
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Next steps in transforming cultural sector data

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