Maddy Mills
Maddy Mills was appointed Director for Entelechy Arts in October 2020, joining the organisation after 5 years as Producer for Artistic Programming at the Southbank Centre.
Prior to that, Maddy worked as Festivals Manager for Kew Gardens, Associate Producer for Baku 2015 European Games, Producer for the Bloomsbury Festival and also ran her own cultural producing company, Hidden Cities. In 2019, she founded the Family Volunteering Club.
Her work is grounded in the belief that feeling connected to a community – in whatever form that takes – helps people lead healthier and happier lives.
Related news
University of Leeds. Photo by Susannah Ireland.
News
Transforming knowledge into practical outcomes
The Centre for Cultural Value is connecting with international academic colleagues as part of a new COST Action: Connecting Critical ...
Image credit: Leeds Playhouse
News
Child of the North report highlights the value of creativity in education
A new report published by the N8 Research Partnership and the Centre for Young Lives calls for a new era ...
Walk This Way. Photo by Rob Eagle.
News
“What’s the point of it?” Art, community, and the challenges of cultural value
In a northern market town, a light and sound installation simultaneously sparks a wealth of community interactions and highlights the ...
Mafwa Theatre. Michka and Me. Photo by Tribe Four Films.
News
What happens next? Taking time to reflect, learn and move forward
As the Centre’s initial five-year funding period ends, we share our plans to take a deliberate and strategic pause to ...
Photo by Maxime Steckle.
News
Mass tourism, heritage, music, and debt: the curious case of opera and urban planning in Florence
How can we successfully acknowledge the challenges of protecting cultural heritage while also balancing the economic realities of a flourishing ...
Routing Diaspora Histories. Photo by Mya Onwugbonu.
News
Routing Diaspora Histories: Going Beyond Established Historical Narratives
In what new ways can we look at Black and diasporic identities within creative practice? Does history have to be ...